Course Outline
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Studio Art 11 (Ceramics & Sculpture)
Ms. D. Kuehn
Southern Okanagan Secondary School, Oliver, B.C.  Canada
Ceramics and Sculpture 11 is a  specific studio art course which will specialize in clay and sculpture projects, theory and communication.



Studio Art
Ceramics & Sculpture 11
Perceiving and Responding
Creating and Communicating
Image-Development and Design Strategies
Students perceive and respond to images in ways that demonstrate awareness of the sources, techniques, and strategies of image development and design.
Students create images reflecting their understanding of a wide variety of image sources, techniques, and image-development and design strategies.
ü  Slides of art
ü  Sketchbook
ü  DVD/Video of art, art periods, and artists
ü  Major Projects
ü  Self and peer evaluations
ü  Maquettes
ü  Art criticism: description, analysis, interpretation
ü  Written art criticism: describe, analyze and interpret
Context
Students perceive and respond to images and the ways these images reflect and affect personal, social, cultural, and historical contexts.
Students create images that communicate understanding of and appreciation for the influence of personal, social, cultural and historical contexts.
ü  Discussions regarding art masterpiece slides
ü  Mask Project
ü  Compare and contrast art masterpieces
ü  Plaster Carving Project
ü  Explain or challenge the value of an art piece
ü  Paper Mache Project
ü  DVDs – Moore, Rodin, Michelangelo. . .
ü  Final Project – self-directed
Visual Elements and Principles of Art and Design
Students perceive and respond to images in ways that demonstrate their understanding of the visual elements and principles of art and design.
Students create images that communicate their understanding of and appreciation for the visual elements and principles of art and design and how they are used to communicate.

ü  Recognition of visual elements in masterpieces
ü  Clay Project
ü  View and discuss functional sculpture
ü  Mixed Media/Collage Project
ü  Discuss Sculptors  use of the Vis. E & P of Art
ü  Mobile/Origami Project
ü  Self-assess and peer-assess images for their use of. . .
ü  Free Choice Project – self-directed challenge
Materials, Technologies, and Processes
Students perceive and respond to images from a variety of different types of artworks in ways that demonstrate their understanding of how the choice of materials, technologies, and processes affects images.
Students create images that demonstrate their ability to communicate effectively using a variety of materials, technologies, and processes.
ü  Construction sample assignment
ü  Cardboard Sculpture Project
ü  Worksheet on sculpture techniques
ü  Diorama Project
ü  Materials and effects- discussions
ü  Clay Relief (Class) Mural Project
ü  Henry Moore & other sculptors’ materials - discussions
ü  Slip Casting Project

At the end of this course, students will be able to say, "I can:
*  Create personally meaningful images in a specific visual expression area
*  Develop a personal visual voice through the exploration of a specific visual expression area
*  Explore the significant artists, artworks, and movements of a given visual expression area
*  Increase my level of sophistication, complexity, and independence as I develop my technical competence
*  Respond to a variety of images within a specific visual expression area
*  Develop critical-thinking skills as applied to the work of myself and others
*  Examine the role of art in past and present societies
*  Document and evaluate my creative processes in relation to the chosen visual expression area
* Explore a range of visual arts careers particular to the chosen visual expression area"
(Developed from the Studio Arts 11 and 12 IRP 2002)

Ceramics & Sculpture 11 must incorporate the following content within the delivery of the prescribed learning outcomes for Studio Arts 11
Technical Competence
• knowledge and skilled use of materials for ceramics and sculpture:
- ceramics materials (e.g., clay bodies, glazes, stains)
- sculpture materials (e.g., wood, plastic, wire, paper pulp)
- single medium, mixed media
• knowledge and skilled use of tools and equipment for ceramics and sculpture:
- tools and equipment for manipulating materials (e.g., wheels, forms, chisels, electric drill)

- tools and equipment for surface treatment and decoration (e.g., glue guns, knives, modeling tools)
- tools and equipment used in ceramic and sculpture processes (e.g., kilns, pug-mills)
• knowledge and skilled use of processes and techniques for ceramics and sculpture:
- additive processes (e.g., hand-building, assemblage, stitching)
- subtractive processes (e.g., carving, sanding, filing)
- modeling processes (e.g., throwing, casting, hand-modeling)
- surface treatment processes (e.g., polishing, glazing, staining)
- decorative processes (e.g., engraving, embossing, fretwork)
• knowledge and skilled use of image-development strategies as they apply to ceramics and sculpture
• knowledge and skilled use of visual elements and principles of art and design as they apply to ceramics and sculpture
Presentation Applications
• considerations for venue, audience, and purpose
• artist’s statements
• documentation of product and process (e.g., photographic records)
• exhibition considerations (e.g., interactions with space, mounting, lighting, installation)
Visual Culture
• artists, artworks, and movements in ceramics and sculpture across a variety of contexts
• purposes and applications of ceramics and sculpture (e.g., public art, functional art)
• terminology related to ceramics and sculpture
• career pathways related to ceramics and sculpture
 
Evaluation Procedures
Studio Art 11 (Ceramics & Sculpture) is evaluated within three categories:
        *Art Projects           60%
        *Assignments            30%
        *Personal Management 10%

Departmental Study Skills Expectations
It is assumed and expected that each student is prepared to work towards the four credits awarded upon completion.  Studio Art 11 (Ceramics & Sculpture) will improve upon students’ study skills such as listening and note-taking, home study, research, organization, and most directly, management of time and materials. 

Supplies & Materials Needed
Students may wish to have an apron or smock to protect their clothing.  Consider collecting a box of carving tools and perhaps include personal hand lotion.  A binder for notes, reflections, sketches and imagery is needed.  Bring a pencil or pen to class each day.  Regular attendance is required for success in this course as projects cannot be completed outside of class.

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